Psyche Can Hold Her Jar of Beauty Again

When we opened the crate containing this marble Psyche and the Jar of Beauty (after Thorvaldsen’s original) we also got a bad surprise: both her hands were broken off.

Strangely, although she was crated and braced with foam, the packers decide not to put foam in front of her hands, and that’s exactly where she broke.

The poor girl was supposed to hold a jar between her two hands—arguably the central defining feature of the piece—but this had broken in three places.

Fortunately, the breaks were clean—we think they happened sometime in the distant past and were repaired with inferior glue. Since there were three breaks in an area that doesn’t have any support, the key was to align properly and brace until the epoxy set properly, which involved holding the hands for a while, then using painter’s tape, which provided enough support for the fairly light weight of the hands while also being easily removable. Then it was just a matter of waiting.

A promising alignment

The last step was to disguise the breaks with proper color-matching, and voila—good as new!

Good old painter’s tape

This video features a stunning rendering of Bertel Thorvaldsen’s Psyche with the Jar of Beauty. Captured in the moment she returns from the underworld with Proserpina’s gift, her downward gaze and soft wings create a sense of profound, sedate grandeur. Framed by symmetrical brass and onyx candelabras and set on a darker carved wood, cabinet this display honors the 19th-century tradition of the "Home Museum." It is a tribute to Thorvaldsen’s mastery and the enduring power of neoclassical symmetry.

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Venus Italica: From Splitsville to Whole Again

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Restoration: The Three Graces (After Canova)